An artist shares her experiences on creatively developing, tending to and nurturing her garden as spiritual sanctuary for herself, her friends and family. Gail Allen contributes her thoughts on creating a sacred space as an oasis for soothing your soul in today's busy world, enticing your senses and and fostering your own personal growth
Showing posts with label gail allen fine art. Show all posts
Showing posts with label gail allen fine art. Show all posts

Sunday, May 13, 2012



 Happy Mother’s Day! From one Mother to Another…
Mother Earth that is!

The Rose Trellis Painting by Gail Allen

Through the years, my gardening philosophy has developed based on my knowledge of the Taoist garden principle of creating a reflection of heaven on earth; a quiet, intimate haven for nature lovers, of naturalness and simplicity. 

It is the development of a magical place, exhibiting life’s breath, that is ever changing along with the light and shade, and rhythms brought about by the contrasts in weather as the seasons evolve. 

The emphasis being that in a well-designed garden, it becomes difficult to differentiate the work of man and nature. One of the nicest compliments I was ever given was by a friend who frequently visited. One day, after years of visiting, as she walked up the stone pathway to the front door she said:
 “You know, this looks so natural, like the flowers just were all seeded here, but there is clearly a pattern, rhythm and layout, isn’t there?” 

Even upon seeing it many, many times, and noticing repetitions of elements as it aged, she was still not quite sure, there was that sense of mystery. That is what I strive for in my designs.

Spirit Rising Painting by Gail Allen
While painting my landscapes tends to characterize the vastness and grandeur of Mother Nature, our garden at home reveals her more intimate characteristics. The core of the design of our garden is based on on a Feng Shui Bagua, emanating out by removing the site of any definite boundary, thus depicting expansion and rhythm, a perception of unlimited time and space. This incorporates use of hills, levels, water and rocks to achieve the ultimate goal of the garden, never to be viewed all at once, (as is the case on a flat expanse)

The winding paths lure the visitors beyond the immediate scene where even the smallest of spaces may be converted to give the effect of mysterious distance through the use of groves, bushes and placement of rockeries.

 My use of these principles of gardening entices the imagination rather than appealing to the reasoning faculty of the beholder, through the creation of unexpected features and the use of irregularity of line, which suggests movement and life.

This Taoist garden design style was thought of as a symbolic Paradise, where all life was protected and sheltered, in a quiet intimate garden setting. Its creation was during the time of the SixDynasties and the T’ang. Like all of life, although to the untrained eye it looks simple, there is an incredible amount of knowledge behind the development of all the elements into a unified whole, right down to the positioning of the rocks.

As I gather with my family today, in our peaceful garden - built together over our lifetime together, I am filled with gratefulness, for a life well celebrated. Here, the life breath of each of us is an incorporated element. May you find a place for special retreat today, in your garden or elsewhere, where you feel connected, protected and sheltered along with your family, as you celebrate your 
Happy Mother’s Day!

Monday, November 16, 2009

Gail Allen: A Day Painting Creative Symbolism

For me, a day starts out with a walk in the woods  with my lab "Otto", to clear my head, get some focus on where my thoughts are taking me, and to get some inspiration. It is generally only about 15 minutes to a half hour. Then I sit and review notes, or write new notes on what needs to be reworked, or the order of working up the piece that I am going to follow.
My work has evolved into what is primarily studio work - as it has shifted from plein aire landscapes to more conceptual pieces with many symbolic elements. I am attracted to these because of the expression of more universal concepts which go beyond the simple verbal explanations.  The pieces are much larger, more intricate, with many overlapping elements. This is a reflection again of my own interests in spirituality and the oneness with all things. My studies in psychology, metaphysics, dream images, symbolism, cultures, science and the natural world are all interrelated constant elements of the newest works in progress. The creativity is in the telling of the story through these images. I am looking to develop works that are seen in a different way by each viewer. Many of the symbols are deeply and intricately interwoven, so as not to be immediately seen, some never really seen.
The archetypal personality traits of the viewer affect how they see the painting. Such multi-faceted concepts emerge at many psychic levels. Therefore, this new series is aimed at each individuals experiential viewing level.
Awareness of symbols changes a person's universal perception, even without  interpretation. Symbols always operate on a non-rational and nonverbal level first - emoting a common generalized effect on the observer's very physiology. This is why so many archetypal representational objects have appeared again and again in religions, dreams and visions, myths, legends and works of art throughout history and across all diverse cultures. Form and color play the part of giving these images meaning and making them tangible.  In as much as the viewer's examination is necessary to the interpretation of a particular shape or form,  a person reacts with spontaneity to a color.  All of these elements work together to effect the outcome of mood, mind states, and the body's function directly in various unseen ways. Herein lies my hope for the creativity of these paintings. Healing artwork is an emerging  and exciting field that I am currently exploring through observations on my morning walks with nature and through my ongoing studies.